Ko wai mātou? Who are we?
About - Our Whakapapa
Paemanu began as a group of art professionals coming together to create and drive events associated with Ngāi Tahu arts practitioners at all stages of their career development. Over time, as events became larger and more complex, funding was needed to assist Paemanu to achieve its goals. To aid in future growth, resilience and accountability, it was decided to form a trust. Paemanu Charitable Trust: Ngāi Tahu Contemporary Visual Arts was granted Charitable Trust status in July 2013.
(Pou Tokomanawa), Waitaha, Ngāti Māmoe, Ngāi Tahu
Ross Hemera is an established artist and designer who’s practice honours the cultural and artistic traditions of his iwi. While drawing on a dual Māori and Pākehā heritage, his creative work is contemporary and innovative incorporating new interpretations.
His portfolio includes group and solo exhibitions, public commissions and projects of national significance. Ross creates art forms in painting, sculpture, drawing, design and mixed media referencing concepts such as whakapapa, whenua, mana, taonga and whānau.
Ngāi Tahu, Kāti Irakehu,
Kāti Mako ki Wairewa, Guangzau, Satu Village
Simon Kaan is a printmaker, painter, performance artist, curator, spatial designer, surfer and self-confessed foodie.
His work has been described as “contemporary and timeless,” a notion that seems to fit well with many of the indigenous relationships referenced in his artmaking.
Kaan's soft focus, tranquil palette and finely stacked horizons are peppered with highly emotive and delicately rendered symbols and icons.
His performative projects, under the Kaihaukai Collective, investigates the bringing together of community, history and food.
Rachael Rakena is widely respected for her innovative use of digital and electronic media immersed in Māori tradition, culture and values. Her work has prompted a new term - toi rerehiko (literally 'electric brain'); a play on rorohiko, the Māori word for computer.
Rakena has exhibited internationally, including works at the Sydney Biennale, Venice Biennale, and Busan Biennale.
Waitaha, Kāti Mamoe,
Pōhio is a conceptual artist working in video and other photo media, producing minimal cinematic installations.
Working within the spectrum of cinema and pre-cinema histories as a means to discuss the colonial experience, Māori cultural values
Manaakitanga (caring for others),
Whanaungatanga (relationships), Tohungatanga (expertise), Tikanga (appropriate action)
lead Pōhio’s work.
Having exhibited widely including Documenta14, Pohio has built a career drawing from the consistencies and dualities experienced within the contemporary Māori experience.
Kāi Tahu, Waikato -Tainui , Ngāti Whāwhakia,
Martin Awa Clarke Langdon is an Artists /Curator from South Auckland whose multi-disciplinary practice conceptually teases out the tension and liminal spaces that exist between Māori and Pākehā world views. Langdon has exhibited, curated, and created small and large community-based projects throughout Aotearoa. Langdon also bring knowledge and experience as an educator in art institutions and previously co-director of a social enterprise to the Paemanu team.
Rongomaiaia Te Whaiti
Ngāi Tahu (Ngāti Kurī, Ngāi Tūahuriri, Ngāti Waewae)
Ngāti Kahungunu ki Wairarapa
Rongomaiaia is a visual artist, her practice is grounded in a Māori worldview supported by a framework of Māori visual culture defined by land, language, people, tikanga and whakapapa. Her work ranges from painting to installation and she will often engage with wānanga, as a space to create, share, cultivate and preserve.
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Dr Areta Wilkinson
Dr Areta Wilkinson is an artist based in Oxford, New Zealand. Wilkinson’s practice engages with Māori philosophies and knowledge unique to Aotearoa New Zealand. Recent exhibitions include; The 9th Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery of Modern Art (GAGOMA), Brisbane, AU (2018); and Kōrero Mai Kōrero Atu at Auckland Museum, Auckland (2016). Wilkinson is well represented in New Zealand public collections.
(Chair) Ngāi Tahu, Rangitāne, Ngāti Toa Rangatira
Kiri Jarden has worked in arts strategy and planning, management and events for nearly twenty years both in Rotorua and Ōtautahi. Most of her work in recent years has been as a producer, helping create opportunities for others to present or create their own work. There has been a shift back to making art herself which has been precipitated through her moko and tamahine.
Jarden's research and documentation of her whakapapa underpins her creative activity in various media.